Come in,
come in, yes, please. You’re just in time. You haven’t missed a thing. We were
just about to begin, and, besides, we’re all acquainted by now, all accomplices
(wink-wink).
Sex
crimes, you see, are complex. And all crimes, in one way or another, are sex
crimes, the seeming limitless variety of criminal activity nothing less than a
subset parallel to the sexual fetishes—foot, lingerie, bondage, urine,
etc.—that’s what I’ve concluded, anyway, with some merit, too, I hasten to add
without false modesty, after a lifetime in the field.
It may
interest you to know at this point that a body was never found, her body, specifically, the corpse of
the woman it’s been our pleasure to call “Xie,” or simply “X” for short.
“How can
that be?” you might well ask, and getting no actual answer, just a lot of
gobbledygook and rigmarole, go on to ask, “Well, what then does that mean? Is
she not really dead, after all?”
Think
about it, please, for a few moments, if you will. One of the great joys of this
profession is the moment—orgasmic, in a cerebral sense, naturally—when one
“gets it,” all at once, unaided.
His body
is found, the lover, the killer’s corpse. That we do find, just as described in the bathroom of a rundown rooming
house in East St. Louis, 21 April, 2007.
Okay, you
say, so the body of the unfortunate woman, murdered, you’ve no doubt of that,
hasn’t been found. So what? It’s been hashed up in some typically grisly psychopathic
fashion familiar from all the comic books. Come on now, we’ve all read the same
books, seen the same movies and TV cop shows, no need for long descriptions:
hacksaw, woodchipper, tarp, and stewpot, it’s all been done before. Concrete,
rocks, rope, and anchors. She’s sitting in six black plastic trash bags in a
wooded lot somewhere, rolled up in a carpet tossed in a turnpike swamp, carried
away claw by claw by crabs at the bottom of some inlet, lagoon, or cistern.
Some day
someone out for an early spring hike will find a femur or ulna or brain pan
poking out of the sludge of last year’s foliage, no hurry, she isn’t going
anywhere, case closed, right?
Right—nine
times out of ten, perhaps, but there’s the tenth time, truth is stranger than
you think, all the stranger since it’s seldom ever told.
She’s
alive this time, this Xie, this X, this unknown feminine quantity, alive and
well, even married, perhaps, not quite, but certainly intricately engaged with
another lover, two or three lovers removed from the dead man behind door
twelve, living a normal life she is, dinners out, movies on Saturday night,
vacations at the shore.
It’s
true, although we try to let go after a certain point, close cases, observe the
fine line between investigation and obsession, observation and invasion of
privacy. Fact is, a lot of our conclusion is based on speculation, informed by
what guesswork (we guess) would come as a shock to the general public, but
then, what isn’t a shot in the dark when all is said and done?
You might
ask, for instance, was love really a motive in this case, a crime of passion,
maybe, but could it really have been love? Well, what is love, specifically, if
not a variety of crime itself, the ultimate crime. Well, certainly a point on a
spectrum leading to total insanity. Is anyone guilty then, after all, and
likewise, the same question, asked a slightly different way: aren’t we all guilty?
Yes, this
is where, stereotypically, everything gets explained, squared away,
revealed—where all the loose ends are tied together, and I’m supposed to be the
one to do it. And so they are, the
loose ends, the loose ends, I mean, tied together here, well, at least as best
I can do it, fashioned into another kind of knot, perhaps, one even more
complicated than the knot we had at the start.
If so, so
be it, this is life we’re talking about, not some locked door mystery all
wrapped up in sixty minutes with time out for commercial breaks.
Let me
tell you a secret. No crime is ever really solved, not a single one, it is only
explained. I should know.
I’ll let
Xie herself have the last word. I read from the unfinished suicide note she
left behind:
“I don’t
want to hear any more of your explanations.”
I’m
tempted, I’ll admit it, tempted to explain it all again one last time, to open
another door and call it door 14 and continue on into the labyrinth, but I
shouldn’t, and, besides, I can do no better than I’ve already done.
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